Click on the song title for a RealAudio sound clip.

Mac Band Featuring The McCampbell Brothers

"Jealous" (MCA Records)

Written (with L.A. Reid, Kayo, Darnell Bristol and Charles McCampbell), produced (with L.A. Reid), background vocals and keyboards; from the album 'Mac Band Featuring The McCampbell Brothers', 1988

"Roses Are Red" (MCA Records)

Written (with L.A. Reid), produced (with L.A. Reid), background vocals and keyboards; from the album 'Mac Band Featuring The McCampbell Brothers', 1988; peak chart position: R&B #1 (1 week)

"Stuck" (MCA Records)

Written (with L.A. Reid, Stanley "Stick" Burke and Charles McCampbell), produced (with L.A. Reid), background vocals and keyboards; from the album 'Mac Band Featuring The McCampbell Brothers', 1988; peak chart position: R&B #25



Madonna

"Forbidden Love" (Maverick/Sire Records)

Written (with Madonna) and background vocals; from the album 'Bedtime Stories', 1994, and 'Something To Remember', 1995

"Take A Bow" (Maverick/Sire Records)

Written (with Madonna), produced (with Madonna), background vocals, synthesizers and drum programming; from the album 'Bedtime Stories', 1994, and 'Something To Remember', 1995; peak chart positions: Pop #1 (7 weeks), R&B #40



Oreolando Mallary

"That Shit Turns Me On" (Yab Yum Records)

Produced and written (with Oreolando Mallary); from the movie 'Waiting To Exhale' (not included on the soundtrack album), 1995



Sonja Marie

"And I Gave My Love To You" (Arista Records)

Produced, written (with Sonja Marie), background vocals, all keyboards and synthesizers and guitar; features Patrice Rushen on acoustic piano; from the soundtrack 'Waiting To Exhale', 1995; re-recorded by L.A. Jazz Syndicate in 1997 (from the album 'L.A. Jazz Syndicate', Ichiban Records);



George Michael

"As" (duet with Mary J. Blige) (Sony Records)

Produced; from the international release of the album 'Ladies And Gentlemen, The Best Of George Michael', 1998, and the international release of the Mary J. Blige album 'Mary' (MCA Records), 1999; peak chart positions (based on airplay alone): R&B #57; originally recorded by Stevie Wonder in 1976



Midnight Star

"Let's Celebrate" (Solar Records)

Written (with Melvin Gentry, Bobby Lovelace, Belinda Lipscomb, Bo Watson and Reggie Calloway); from the album 'Planetary Invasion', 1984, and 'The Best Of Midnight Star' (Sequel Records), 1994

"Slow Jam" (Solar Records)

Written (with Sid Johnson, Bo Watson and Belinda Lipscomb) and guitar; from the album 'No Parking On The Dance Floor', 1983; re-recorded by Renaizzance (All Net Records) in 1996 (peak chart position: R&B #88); re-recorded by Usher and Monica (LaFace Records) from the soundtrack 'Soul Food' (LaFace Records), 1997, and the Usher album 'My Way' (LaFace Records), 1997



Cat Miller

"Beat My Face" (Solar Records)

Remix production; original version from the album 'Cat', 1986; released as a single, did not chart



Monica

"Slow Jam" (duet with Monica) (LaFace Records)

Produced, co-written (with Sid Johnson, Bo Watson and Belinda Lipscomb), background vocals, keyboards, drum programming, and bass; from the album 'My Way', 1997, and the soundtrack 'Soul Food', 1997; originally recorded by Midnight Star from the album 'No Parking On The Dance Floor'(Solar Records), 1983



Chante Moore

"Wey U" (Arista Records)

Written, produced and all synthesizers and keyboards; from the soundtrack 'Waiting To Exhale', 1995



Eddie Murphy

"Yeah" (Motown Records)

Guest vocals; from the Eddie Murphy album 'Love's Alright', 1992



Marc Nelson

"End Of The Road" (with Babyface and Kevon and Melvin Edmonds) (Epic Records)

Written, produced and lead and background vocals; from the Babyface album 'MTV Unplugged 1997', 1997; originally recorded by Boyz II Men from the soundtrack 'Boomerang' (LaFace Records), 1992, and the various artists album 'East Coast Family Volume 1' (Motown Records), 1992

"I'll Make Love To You" (with Babyface and Kevon and Melvin Edmonds) (Epic Records)

Written, produced and background vocals; from the Babyface album 'MTV Unplugged 1997', 1997; originally recorded by Boyz II Men from the album 'II' (Motown Records), 1994



Aaron Neville

"Say What's In My Heart" (A&M Records)

Written (with Dianne Warren); from the album 'To Make Me Who I Am', 1997; released for airplay, but not as a commercial single



Olivia Newton-John

"I Honestly Love You" (MCA Nashville Records)

Background vocals; from the album 'Back With A Heart', 1998; peak chart position: Pop #67; originally recorded by Olivia Newton-John from the album 'If You Love Me Let Me Know' (Festival Records), 1974



'N Sync

"If Only In Heaven's Eyes" (Yab Yum Records)

Written, produced, keyboards and drum programming; from the soundtrack 'Light It Up', 1999



De De O'Neal

"Somewhere There Is A Love" (LaFace Records)

Written and produced; from the movie 'Waiting To Exhale' (not included on the soundtrack album), 1995

"What's Up" (featuring Left Eye) (LaFace Records)

Executive producer; from the promo 12" single, 1999



OutKast

"Jazzy Belle" (LaFace Records)

Background vocals; from the remix single; original version appears on the album 'ATLiens', 1997; peak chart positions: Pop #52, R&B #25


'Aquemini' (LaFace Records)

Album Executive Producer (with ONP for Organized Noize Productions, Inc., Antonio M. Reid and OutKast), 1998

'ATLiens' (LaFace Records)

Album Executive Producer (with Antonio M. Reid and Organized Noize Production, Inc.), 1996

'Southernplayalisticadillacmuzik' (LaFace Records)

Album Executive Producer (with Antonio "L.A." Reid), 1994



Gwyneth Paltrow

"Just My Imagination (Running Away With Me)" (duet with Babyface) (Hollywood Records)

Produced, lead vocals, background vocals and instruments; from the soundtrack 'Duets', 2000; originally recorded by the Temptations from the album 'Sky's The Limit' (Gordy Records), 1971



Pebbles

"Always" (MCA Records)

Background vocals, vocal and rhythm arrangement, guitar and keyboards; additional background vocals by Johnny Gill; from the album 'Always', 1990, and the album 'Greatest Hits' (Uni/Hip-O Records), 2000; peak chart position: R&B #13

"Backyard" (MCA Records)

Written (with L.A. Reid and Salt), produced (with L.A. Reid; co-produced by Pebbles), background vocals, vocal and rhythm arrangement and keyboards; from the album 'Always', 1990, and the album 'Greatest Hits' (Uni/Hip-O Records), 2000; peak chart positions: Pop #73, R&B #4

"Do Me Right" (MCA Records)

Remix, additional production and background vocals; original version from the album 'Pebbles', 1987, and the album 'Greatest Hits' (Uni/Hip-O Records), 2000; peak chart position: R&B #67

"Girlfriend" (MCA Records)

Written (with L.A. Reid), produced (with L.A. Reid), background vocals and keyboards; from the album 'Pebbles', 1987, and the album 'Greatest Hits' (Uni/Hip-O Records), 2000; peak chart positions: Pop #5, R&B #1 (2 weeks); originally written for Vanessa Williams; re-recorded by Alex 'N' Sven from the import album 'Risqing It All' (EMI), 1999

"Give It To Me" (MCA Records)

Written (with L.A. Reid), produced (with L.A. Reid; co-produced by Pebbles), vocal and rhythm arrangement and keyboards; from the album 'Always', 1990

"Giving You The Benefit" (MCA Records)

Written (with L.A. Reid), produced (with L.A. Reid; co-produced by Pebbles), vocal and rhythm arrangement and keyboards; also did remix production; from the album 'Always', 1990, and the album 'Greatest Hits' (Uni/Hip-O Records), 2000; peak chart positions: Pop #4, R&B #1 (3 weeks)

"Good Thang" (MCA Records)

Written (with Kayo, Daryl Simmons, L.A. Reid and Pebbles) and keyboards; from the album 'Always', 1990

"Love Makes Things Happen" (duet with Babyface) (MCA Records)

Written (with L.A. Reid), produced (with L.A. Reid; co-produced by Pebbles), lead and background vocals, vocal and rhythm arrangement and keyboards; from the album 'Always', 1990, and the album 'Greatest Hits' (Uni/Hip-O Records), 2000; peak chart positions: Pop #13, R&B #1 (2 weeks)

"Say A Prayer For Me" (MCA Records)

Written (with L.A. Reid and Pebbles), produced (with L.A. Reid; co-produced by Pebbles), background vocals, vocal and rhythm arrangement and keyboards; from the album 'Always', 1990

"Stay With Me" (MCA Records)

Guitar solo and vocal arrangement; from the album 'Always', 1990

"Why Do I Believe" (MCA Records)

Written, produced (with L.A. Reid; co-produced by Pebbles), vocal and rhythm arrangement, keyboards and bass; from the album 'Always', 1990, and the album 'Greatest Hits' (Uni/Hip-O Records), 2000


'Always' (MCA Records)

Album Executive Producer (with Perri A. Reid and Antonio M. Reid), 1990



Pink

"Most Girls" (LaFace Records)

Written (with Damon Thomas), produced, keyboards and drum programming; from the album 'Can't Take Me Home', 2000; peak chart positions: Pop #4, R&B #67

"Split Personality" (LaFace Records)

Written (with Alicia Moore and Terence Abney), produced (with Terence "Tramp-Baby" Abney and Daryl Simmons) and keyboards; from the album 'Can't Take Me Home', 2000

"You Make Me Sick" (LaFace Records)

Produced (with Anthony President and Brainz Dimilo); from the album 'Can't Take Me Home', 2000; peak chart positions: Pop #33, R&B #__


'Can't Take Me Home' (LaFace Records)

Album Executive Producer (with Antonio Reid), 2000



Redd Hott

"We Come To Funk" (Venture Records)

Written (with Anthony Johnson and Kevin "Flash" Ferrell); from the album 'Redd Hott #1', 1981



Lionel Richie

"Ordinary Girl" (Mercury Records)

Written (with Lionel Richie), background vocals, drum programming and keyboards; from the album 'Louder Than Words', 1996; peak chart position: R&B #76



The Tony Rich Project

'Birdseye' (LaFace Records)

Album Executive Producer (with Antonio M. Reid and Tony Rich), 1998



RPM 2000

"Got To Get Over You" (Warner Bros. Records)

Written; from the album 'Peace In The City', 2000



Diana Ross

"Keep It Right Here" (Motown Records)

Written (with Jon-John and C. Liscomb); from the album 'Take Me Higher', 1995

"Swing It" (Motown Records)

Written (with Jon-John and R. Phillips); from the international album release 'Take Me Higher', 1995; from the U.S. single "Gone" (from the album 'Take Me Higher'), 1995



Sam Salter

'It's On Tonight' (LaFace Records)

Album Executive Producer (with Antonio M. Reid; Co-Executive produced by Tricky, Sean "Sep" Hall and Aja Kimura), 1997



Shalamar

"Born 2 Love You" (Solar Records)

Produced (with L.A. Reid), keyboards, mixed, and programming; from the album 'Circumstantial Evidence', 1987

"Circumstantial Evidence" (Solar Records)

Written (with L.A. Reid), produced (with L.A. Reid), mixed, keyboards, and rhythm guitar; also did remix production; from the album 'Circumstantial Evidence', 1987, and 'The Very Best Of', 1995; peak chart position: R&B #30

"Games" (Solar Records)

Produced (with L.A. Reid), mixed, and keyboards; also did remix production; from the album 'Circumstantial Evidence', 1987; peak chart position: R&B #11

"Imaginary Love" (Solar Records)

Produced (with L.A. Reid), mixed, and guitar; from the album 'Circumstantial Evidence', 1987

"I Want You (To Be My Playthang)" (Solar Records)

Written (with Sidney Johnson, Montez Lomax, Stephen Page, and L.A. Reid), produced (with L.A. Reid; associate produced by Kayo), background vocals, mixed, keyboards, and programming; also did remix production; from the album 'Circumstantial Evidence', 1987; released as a single (did not chart)

"Love's Grown Deep" (Solar Records)

Produced (with L.A. Reid), keyboards, mixed, and programming; from the album 'Circumstantial Evidence', 1987



Shanice (Wilson)

"Ain't Got No Remedy" (LaFace Records)

Written, produced, background vocals, keyboards and drum programming; from the album 'Shanice', 1999

"Breathe Again" (with Babyface) (Epic Records)

Written and produced; from the Babyface album 'MTV Unplugged NYC 1997', 1997; Originally recorded by Toni Braxton from the album 'Toni Braxton' (LaFace Records), 1993

"Don't Wanna Love You" (LaFace Records)

Written (with L.A. Reid and Daryl Simmons), produced (with L.A. Reid; co-produced by Daryl Simmons) and keyboards; from the soundtrack 'Boomerang', 1992

"Dreamin'" (LaFace Records)

Written, produced, keyboards and drum programming; from the Japanese import of the album 'Shanice', 1999

"Fall For You" (LaFace Records)

Written, produced, background vocals, keyboards, drum programming and electric guitar; from the album 'Shanice', 1999

"Fly Away" (LaFace Records)

Written (with Laney Stewart, Phillip "Silky" White and Gloria Stewart), produced (with Laney Stewart), keyboards and electric guitar; from the album 'Shanice', 1999

"Turn Down The Lights" (Motown Records)

Executive producer and background vocals; from the album '21 Ways...To Grow', 1994; peak chart positions: Pop #114, R&B #21


'Shanice' (LaFace Records)

Album Executive Producer (with Antonio M. Reid, Shanice and Pete "Luv" Farmer), 1999



Shanna

"How Could You Call Her Baby" (Arista Records)

Written, produced and all synthesizers and keyboards; from the soundtrack 'Waiting To Exhale', 1995



Sisqo

"So Sexual" (Uni/Def Jam Records)

Written (with Mark "Sisqo" Andrews, Nathan "N8" Walton, Kiehl Owens, and Tavia "Joker" Ivey), arranged (with N8 and Kiehl Owens), backing vocals, and all instruments except drum programming and keyboards; from the album 'Unleash The Dragon', 1999



Southsyde B.O.I.Z.

"Get Ready, Here It Comes (It's The Choo-Choo)" (Tony Mercedes Records / LaFace Records)

Executive producer (with Antonio M. Reid, Tony Mercedes and Jan C. Styles); 1997; released as a single



SWV

"All Night Long" (Arista Records)

Written, produced and all synthesizers and keyboards; from the soundtrack 'Waiting To Exhale', 1995



Tease

"Soft Music" (Epic Records)

Written; from the album 'Tease', 1986



Tenderoni

"Baby I" (LaFace Records)

Written, produced, keyboards, Wurlitzer, drum programming and guitar; from the soundtrack 'Soul Food', 1997



3rd Storee

"All I Do" (Yab Yum Records)

Written (with Vada Nobles, Rasheem "Kilo" Pugh, Dante "D-Smoove" Clark, Tyrone Scott); from the promo album '3rd Storee', 1999 (never commercially released due to distributor/label conflict)

"And It's True" (Yab Yum Records)

Written; from the promo album '3rd Storee', 1999 (never commercially released due to distributor/label conflict)

"Dry Your Eyes" (Yab Yum Records)

Written (with Jon-John Robinson, Joey Elias); from the promo album '3rd Storee', 1999 (never commercially released due to distributor/label conflict)

"Him Or Me" (Yab Yum Records)

Written (with Damon Thomas, Anthony President, Dante "D-Smoove" Clark); from the promo album '3rd Storee', 1999 (never commercially released due to distributor/label conflict)

"If Ever" (Yab Yum Records)

Written; from the promo album '3rd Storee', 1999 (never commercially released due to distributor/label conflict); peak chart position: R&B #64

"Kids' Choice Theme Song" (Nickelodeon Television)

Written and produced; from the Nickelodeon 'Kid's Choice Awards '99' television special, May 1,1999

"Tonight" (Yab Yum Records)

Written; from the promo album '3rd Storee', 1999 (never commercially released due to distributor/label conflict)



Gina Thompson

"You Bring The Sunshine" (Mercury Records)

Written (with Jon-John) and background vocals; from the various artists album 'NBA At 50 - A Musical Celebration', 1997; peak chart positions: Pop #122, R&B #53



Tony Thompson

"Dance With Me" (Giant Records)

Written; from the album 'Sexsational', 1995

"I Wanna Love Like That" (Giant Records)

Written and arrangement (with Jon-John and Reggie Griffin); from the album 'Sexsational', 1995; peak chart positions: Pop #59, R&B #14



3T

"Why" (featuring Michael Jackson) (MJJ Music/550 Music)

Written; from the album 'Brotherhood', 1995; peak chart position: R&B #71; originally written for Michael Jackson



TLC

"Baby-Baby-Baby" (LaFace Records)

Written (with L.A. Reid and Daryl Simmons), produced (with L.A. Reid and Daryl Simmons) and keyboards; from the album 'Ooooooohhh...On The TLC Tip', 1992; peak chart positions: Pop #2, R&B #1 (2 weeks)

"Dear Lie" (LaFace Records)

Written (with Tionne "T-Boz" Watkins), produced, keyboards, drum programming, and acoustic & electric guitars; from the album 'Fan Mail', 1999

"Diggin' On You" (LaFace Records)

Written, produced and all synthesizers and drum programming; from the album 'CrazySexyCool', 1994; peak chart positions: Pop #5, R&B #7

"Get It Up" (Epic Records)

Executive producer (with L.A. Reid>; from the soundtrack 'Poetic Justice', 1993

"I Miss You So Much" (LaFace Records)

Written (with Daryl Simmons), produced (with Daryl Simmons), keyboards, drum programming, and acoustic guitar; from the album 'Fan Mail', 1999

"Let's Do It Again" (LaFace Records)

Written (with Jon-John), produced (with Jon-John), background vocals, and all synthesizers and drum programming; from the album 'CrazySexyCool', 1994

"Red Light Special" (LaFace Records)

Written, produced and all synthesizers and drum programming; from the album 'CrazySexyCool', 1994; peak chart positions: Pop #2, R&B #3

"Reversal Of A Dog" (with Damian Dame, Highland Place Mobsters, and Toni Braxton - as The LaFace Cartel) (LaFace Records)

Written (with L.A. Reid, Daryl Simmons, Lisa Lopes and Melvin Davis), produced (with L.A. Reid), background vocals and keyboards; from the soundtrack 'Boomerang', 1992

"Shock Dat Monkey" (LaFace Records)

Written (with L.A. Reid, Daryl Simmons and Lisa "Left Eye" Lopes), produced (with L.A. Reid; co-produced by Daryl Simmons and Kayo) and keyboards; from the album 'Ooooooohhh...On The TLC Tip', 1992

"Somethin' You Wanna Know" (LaFace Records)

Written (with Daryl Simmons, L.A. Reid, Lisa "Left Eye" Lopes and Kayo); from the album 'Ooooooohhh...On The TLC Tip', 1992

"This Is How It Works" (Arista Records)

Produced, written (with Lisa Lopes) and all synthesizers and keyboards; from the soundtrack 'Waiting To Exhale', 1995


'CrazySexyCool' (LaFace Records)

Album Executive Producer (with Antonio M. Reid and Dallas Austin), 1994

'Fan Mail' (LaFace Records)

Album Executive Producer (with Antonio M. Reid, Dallas Austin, and TLC), 1999

'Oooooooh...On The TLC Tip' (LaFace Records)

Album Executive Producer (with Antonio M. Reid), 1992



Tony! Toni! Tone!

"Boys And Girls" (LaFace Records)

Produced (co-produced by Raphael Saadiq), co-written (with Raphael Saadiq, Laney Stewart and Tricky Stewart), keyboards, drum programming, Wurlitzer, and guitar; from the soundtrack 'Soul Food', 1997; remix version on the album 'Greatest Hits' (Mercury), 1997



Ralph Tresvant

"Love Hurts" (MCA Records)

Written (with Daryl Simmons and Kayo) and vocal arrangement; from the album 'Ralph Tresvant', 1990



Troop

"Sweet November" (Atlantic Records)

Written and vocal and rhythm arrangement; from the album 'Deepa', 1992; peak chart positions: Pop #58, R&B #1 (1 week); originally performed by The Deele from the album 'Material Thangz' (Solar Records), 1985



Tyrese

"There For Me (Baby)" (RCA Records)

Written (with DamonThomas), produced (with DamonThomas), acoustic guitar, keyboards and background vocals; from the album '2000 Watts', 2001



Usher

"Bedtime" (LaFace Records)

Written, produced, background vocals, keyboards, and drum programming; from the album 'My Way', 1997; background vocals on live version from the album 'Live', 1999; peak chart position (live version; based on airplay alone): R&B #66

"Call Me A Mack" (LaFace Records)

Executive producer (with L.A. Reid>; from the soundtrack 'Poetic Justice' (Epic Records), 1993

"If I Want To" (LaFace Records)

Written (with Bryan Cox, Jermaine Dupri and Usher); from the album 'All About U', 2000

"Slow Jam" (duet with Monica) (LaFace Records)

Produced, co-written (with Sid Johnson, Bo Watson and Belinda Lipscomb), background vocals, keyboards, drum programming, and bass; from the album 'My Way', 1997, and the soundtrack 'Soul Food', 1997; originally recorded by Midnight Star from the album 'No Parking On The Dance Floor' (Solar Records), 1983

"There Goes That Feeling Again" (LaFace Records)

Written; from the album 'All About U', 2000


'Live' (LaFace Records)

Album Executive Producer (with Antonio "L.A." Reid and Usher Raymond), 1999

'My Way' (LaFace Records)

Album Executive Producer (with Antonio M. Reid and Jermaine Dupri), 1997



Walter & Scotty

"With All My Heart" (Capitol Records)

Written, produced (with L.A. Reid), background vocals, vocal arrangement, and keyboard programming; from the album 'My Brother's Keeper', 1993



Keith Washington

"Tonight Is Right" (LaFace Records)

Written (with L.A. Reid and Daryl Simmons), produced (with L.A. Reid; co-produced by Daryl Simmons), background vocals and keyboards; from the soundtrack 'Boomerang', 1992



Jody Watley

"This Is For The Lover In You" (with Babyface, LL Cool J, Howard Hewett and Jeffrey Daniels) (Epic Records)

Produced (co-produced by LL Cool J), background vocals, keyboards and guitars; from the album 'The Day' (Babyface), 1996; peak chart positions: Pop #6, R&B #2; originally recorded by Shalamar from the album 'Three For Love' (Solar Records), 1981



The Whispers

"Don't Keep Me Waiting" (Solar Records)

Written, rhythm arrangement, and keyboards; from the album 'So Good', 1984; peak chart position: R&B #60

"In The Mood" (Solar Records)

Written (with Daryl Simmons), produced (with L.A. Reid) and keyboards; from the album 'Just Gets Better With Time', 1987, and '30th Anniversary Anthology' (Sequel Records), 1994 [U.K. Import]; peak chart position: R&B #16; re-recorded by Gerald Albright in 1998

"Rock Steady" (Solar Records)

Written (with L.A. Reid and Bo Watson), produced (with L.A. Reid) and keyboards; from the album 'Just Gets Better With Time', 1987, '30th Anniversary Anthology' (Sequel Records), 1994 [U.K. Import], 'Hits Collection', 1995 [U.K. Import], 'Best Of' (Karus Records), 1995 [U.K. Import], and 'Greatest Hits' (Capitol Records), 1997; peak chart positions: Pop #7, R&B #1 (1 week)

"Some Kinda Lover" (Solar Records)

Written (with Bo Watson); from the album 'So Good', 1984, '30th Anniversary Anthology' (Sequel Records), 1994 [U.K. Import], and 'Best Of' (Karus Records), 1995 [U.K. Import]; peak chart positions: Pop #106, R&B #17

"Tonight" (Solar Records)

Co-written; from the album 'Love For Love', 1983, '30th Anniversary Anthology' (Sequel Records), 1994 [U.K. Import], and 'Greatest Hits' (Capitol Records), 1997; peak chart positions: Pop #84, R&B #4


The Whispers recorded an album titled 'Songbook Volume 1 - The Songs Of Babyface' in 1997 (Interscope Records). It featured the Babyface-written songs "My, My, My", "Whip Appeal", "I Love You, Babe", "Can We Talk", "Exhale (Shoop, Shoop)", "You're Makin Me High", "For The Cool In You", "Seven Whole Days", "Two Occasions", and "Soon As I Get Home".



Karyn White

"Can I Stay With You" (Warner Brothers Records)

Written, produced, background vocals, keyboards and drum programming; from the album 'Make Him Do Right', 1994; peak chart positions: Pop #81, R&B #10

"Don't Mess With Me" (Warner Brothers Records)

Written (with L.A. Reid and Daryl Simmons), produced (with L.A. Reid), background vocals and keyboards; from the album 'Karyn White', 1988

"Family Man" (Warner Brothers Records)

Written (withL.A. Reid and Daryl Simmons), produced (with L.A. Reid), background vocals and keyboards; from the album 'Karyn White', 1988

"Here Comes The Pain Again" (Warner Brothers Records)

Written, produced, background vocals, keyboards and drum programming; from the album 'Make Him Do Right', 1994

"Love Saw It" (duet with Babyface) (Warner Brothers Records)

Written (with L.A. Reid and Daryl Simmons), produced (with L.A. Reid), lead and background vocals, keyboards and guitar; from the album 'Karyn White', 1988; peak chart position: R&B #1 (2 weeks); re-recorded by Kirk Whalum in 1993 (from the album 'Cache', Columbia Records)

"Secret Rendezvous" (Warner Brothers Records)

Written (with L.A. Reid and Daryl Simmons), produced (with L.A. Reid), background vocals, keyboards and guitar solo; from the album 'Karyn White', 1988; peak chart positions: Pop #6, R&B #4

"Superwoman" (Warner Brothers Records)

Written (with L.A. Reid and Daryl Simmons), produced (with L.A. Reid), background vocals and keyboards; from the album 'Karyn White', 1988; peak chart positions: Pop #8, R&B #1 (3 weeks); re-recorded by Gladys Knight (with Patti Labelle and Dionne Warwick) in 1991 (from the album 'A Good Woman', MCA Records); re-recorded by Peter Spence in 1991 (from the album 'Sapphire & Steel', IRS Records)

"The Way You Love Me" (Warner Brothers Records)

Written (with L.A. Reid and Daryl Simmons), produced (with L.A. Reid), background vocals and keyboards; from the album 'Karyn White', 1988; peak chart positions: Pop #7, R&B #1 (1 week)



Vanessa Williams

"Betcha Never" (Wing/Mercury Records)

Written, produced, background vocals, keyboards and drum programming; from the album 'The Sweetest Days', 1994, and the Japanese import 'Love Songs', 1998

"You Can't Run" (Wing/Mercury Records)

Written, produced, background vocals, keyboards and drum programming; from the album 'The Sweetest Days', 1994, and the Japanese import 'Love Songs', 1998; peak chart position: R&B #40



CeCe Winans

"Count On Me" (duet with Whitney Houston) (Arista Records)

Produced, written (with Whitney Houston and Michael Houston) and all synthesizers and keyboards; from the soundtrack 'Waiting To Exhale', 1995; peak chart positions: Pop #8, R&B #7



Winans Phase 2

"Just For A Day" (Word Entertainment)

Written (with Mikelyn Roderick); from the album 'We Got Next', 1999



Stevie Wonder

"Gone Too Soon" (duet with Babyface) (Epic Records)

Produced and lead vocals; from the Babyface album 'MTV Unplugged NYC 1997', 1997; originally recorded by Michael Jackson in 1992 (from the album 'Dangerous', Epic Records)

"How Come, How Long" (duet with Babyface) (Epic Records)

Produced, written (with Stevie Wonder), keyboards and bass; from the Babyface album 'The Day', 1996; released internationally as a single, but not in the U.S.; re-recorded by Babyface and Stevie Wonder in 1997 (from the album 'MTV Unplugged NYC 1997', Epic Records)



Xscape

"Your Eyes" (So So Def Records)

Written (with Daryl Simmons), keyboard and drum programming; from the album 'Traces Of My Lipstick', 1998



Other Work


'Aerobics Oz Style'

Written and produced background music and cues for home video, 2000


'Anna & The King' (Soundtrack - Various Artists) (LaFace Records)

Album Executive Producer (with Antonio "L.A." Reid and Robert Kraft), 1999


'Boomerang' (Soundtrack - Various Artists) (LaFace Records)

Album Executive Producer (with Antonio "L.A." Reid), 1992


'CBS Sports NCAA Basketball'

Written and produced background music and cues for CBS Television, 2000


'Extra - The Entertainment...'

Written and produced background music and cues for the television show, 2000


'Josie And The Pussycats' (Soundtrack - Various Artists) (Play-Tone/Epic/Sony Music Soundtrax)

Executive Music Producer, 2001


'Kids In Motion'

Written and produced background music and cues, 2000


'A LaFace Family Christmas' (Various Artists) (LaFace Records)

Album Executive Producer (with Antonio "L.A." Reid), 1993


'LaFace Presents - Platinum Collection' (Various Artists) (LaFace Records)

Album Executive Producer (with Antonio "L.A." Reid and Louis Silas, Jr.), 2000


'Oprah Winfrey Show'

Written and produced background music and cues for the 'Oprah Winfrey' television show, 2000


'Rhythm Of The Games - 1996 Olympic Games Album' (Various Artists) (LaFace Records)

Album Executive Producer (with Antonio "L.A." Reid; Co-Executive Produced by Samual J. Sapp and Adam E. Kidron), 1996


'Soul Food' (Soundtrack - Various Artists) (LaFace Records)

Soundtrack Executive Producer (with Antonio M. Reid and Tracey E. Edmonds), 1997


'Soul Food' (Fox Movies)

Written and produced background music and cues, 1997


"Splendid & 4M15"

Composed music; from the film 'Fight Club', 1999


'This Morning'

Written and produced background music and cues for CBS Television show 'This Morning', 2000


'Waiting To Exhale' (Soundtrack - Various Artists) (Arista Records)

Executive Album Producer (with Whitney Houston and Clive Davis), 1995


'Waiting To Exhale' (Fox Movies)

Written and produced original film score and background music, 1995


'WCVB'

Written and produced background music and cues for WCVB TV (Boston, MA), 2000


'WCVB Healthbeat Project'

Written and produced background music and cues for WCVB TV (Boston, MA), 2000



Unused Tracks

The following is a list of songs, either confirmed or reported by other visitors, that Babyface has either written, produced, or performed on that were recorded for an artist, but never released on an album.


Babyface

  • "Hold Me Close" - Another track not used by it's intendee and then recorded by Babyface as a demo. Not on any album.

  • "How Could I Ever Live Without You" - Originally written for Beverly's debut, it was then recorded by Babyface. It has not appeared on an album as of yet.

  • "If Only In Heaven's Eyes" - Recorded for the 'Light It Up' soundtrack by N-Sync, there is a demo of this song recorded by Babyface. Maybe he was going to sing it first?

  • "Plenty Lovin'" - Duet with Beverly intended for the 'Hav Plenty' soundtrack.


    Beverly

  • "Plenty Lovin'" - Duet with Babyface intended for the 'Hav Plenty' soundtrack.


    Toni Braxton

  • "Pride And Joy" - Recorded for Toni's album 'Secrets' (1996), but not used. The song was later recorded by Jon B. from the album 'Cool Relax' (1997).

  • "This Time Next Year" - Co-written with David Foster, this was also recorded for Toni's album 'Secrets', but eventually recorded by British singer Shola Ama from the album 'In Return' (1999).


    Choice

  • "I Love My Boo" - LaFace singer Pink was a part of this group before it disbanded. This was one of the songs worked on by the group before Pink went solo (and did not use the song).


    Michael Jackson

  • "Why" - Written by Face for M.J.'s 'History' album (1995), it was instead given to 3T to use on their 'Brotherhood' album (1995).

  • Sébastien in France reports that L.A. and Babyface recorded 10 different songs for his 'Dangerous' album (1991), yet none of the songs were used for the project.


    Jon B.

  • "Could You Learn To Love" - Recorded commercially by Tevin Campbell on the album 'Back To The World' (1996).


    Laurnea

  • "Love Hurts" - After recording the track, it was mutually decided that the song not be used for her debut Yab Yum album (1997). The song was later recorded by Jon B. on his album 'Cool Relax' (1997).


    Jennifer Lopez

  • Sébastien in France also reported that he spotted an interview in which Jennifer mentioned working with Babyface, yet the tracks didn't make the final cut for her debut album 'On The 6' (1999).


    Next

  • "Always There For Me" - Written and produced (with Damon Thomas) originally for the 'Light It Up' soundtrack. It ended up being used by Tyrese on his '2000 Watts' album and retitled "There For Me (Baby)".


    De De O'Neal

  • "Let Me Be The One" - Not confirmed, but said by a source to be a Babyface song (possibly produced). Might be a song that was intended for her LaFace debut album that never happened.

  • "You Wouldn't Have Believed It" - Seemingly written and produced by Face, this may have been one of the songs recorded for her debut LaFace album that never happened.


    Rashaan Patterson

  • "Just For A Day" - Co-written by Face, it was finally used by Winans Phase 2 on their album 'We Got Next' (1999).


    The Rolling Stones

  • "Already Over Me" - Face was producing the song for the 'Bridges To Babylon' album (1997), but Mick Jagger didn't like the way the track was looped, so the Stones ended up using Don Was to produce the track.


    Shanice

  • "So Hard To Say Goodbye" - The song was recorded by Coko, but originally written for Shanice. The song was reportedly recorded by Shanice with possibly the original backing vocals (including Babyface), but never used for her LaFace debut album.


    Tamia

  • "Yours And Yours Alone" - Tamia didn't use this Babyface song for her debut album (1998), so it was given to Beverly Crowder to use on her debut 'Heart & Soul' (2000).


    TLC

  • "Can't Help Myself" - A source says this song was originally recorded by TLC for their 'Fanmail' album, but not used. Destiny's Child recorded this Babyface-written song, but didn't use it for their album either. It showed up on a promo CD single of another song in 1999.

  • "In My Life" - No details on the track, but most likely left off of the 'Fanmail' album (1999).



    ?

  • "Don't Go Away" - Ballad performed by a female of unknown origin. Seems to be written and performed by Face.


    ?

  • "I'm A Fool" - Nice song apparently written and produced by Face. Demo version sounds like Jon B. vocals, but not sure.




  • The Ultimate Babyface